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WOODEN OS: SHAKESPEARE'S THEATRES AND ENGLAND'S TREES.
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  2. Wooden Os: Shakespeare's Theatres and England's Trees
  3. Shakespeare's Globe - Wikipedia
  4. Finding ‘tongues in trees’

Teater historia.

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Skogar i litteraturen. Related item. Bibliography Criticism, interpretation, etc.

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Electronic books. Illustrated text. Internet Resources. Summary Wooden Os is a study of the presence of trees and wood in the drama of Shakespeare and his contemporaries - in plays set within forests, in character dialogue, and in props and theatre constructions.


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Vin Nardizzi connects these themes to the dependence, and surprising ecological impact, of London's commercial theatre industry on England's woodlands, the primary resource required to build all structures in early modern England. Wooden Os situates the theatre within an environmental history that witnessed a perceived scarcity of wood and timber that drove up prices, as well as statute law prohibiting the devastation of English woodlands and urgent calls for the remedying of a resource shortage that was feared would result in eco-political collapse.

By considering works including Friar Bacon and Friar Bungay, the revised Spanish Tragedy, and The Tempest, Nardizzi demonstrates how the "trees" within them were used in imaginative ways to mediate England's resource crisis.

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Wooden Os: Shakespeare's Theatres and England's Trees

University of Cambridge Libraries. University of Leeds Library. Works Cited Agamben, Giorgio. Daniel Heller-Roazen. Brian Massumi. Dinshaw, Carolyn. How Soon Is Now? Subject Shakespeare, William, Knowledge Natural history. Shakespeare, William, Criticism and interpretation.

Accession number Class Enquire Enquire about this object. More on Shakespeare, William, Knowledge Natural history. View all 30 30 items. The third chapter's exploration of a nightmarish eco-fantasy of deforestation best illustrates Nardizzi's blend of historicist, aesthetic, and ecological approaches.

Shakespeare's Globe - Wikipedia

In plotting the composite The Spanish Tragedy's considerations of trees, social ambition, theatricality, and idolatry along the coordinates of material resources and political stability, Nardizzi persuasively frames the play as a meditation on England's timber shortage and its "grim eco-political consequences" Exploring Hieronimo's botanical, familial, and religious husbandry as "a green version of Renaissance self-fashioning," Nardizzi cross-hatches a compelling reading of the play with ecologically-encoded matters of social advancement, iconoclasm, and realpolitik An unknown error has occurred.

If the problem persists, please try again in a little while. Allow this favorite library to be seen by others Keep this favorite library private. Find a copy in the library Finding libraries that hold this item Reviews Editorial reviews. Publisher Synopsis 'The first thing to strike the reader of this book is its awkwardly puzzling title, then the genuine pleasure, the intellectual curiosity and the precise reasoning and style with which it has been written and researched.

Globe Theatre: Performance during Shakespeare's time

User-contributed reviews Add a review and share your thoughts with other readers. Be the first. Add a review and share your thoughts with other readers. Shakespeare, William, -- English drama -- Early modern and Elizabethan, -- History and criticism. Trees in literature.

Finding ‘tongues in trees’

Forests in literature. Deforestation -- Environmental aspects -- England -- History -- 16th century. Building, Wooden -- Environmental aspects -- England -- History -- 16th century. Theaters -- England -- History -- 16th century. Deforestation -- Environmental aspects. English drama -- Early modern and Elizabethan. Linked Data More info about Linked Data. All rights reserved. Remember me on this computer.

Cancel Forgot your password? Vincent Joseph Nardizzi. Shakespeare, William, -- -- Criticism and interpretation. View all subjects.